Professor
Raphael Raphael (Ph.D., University of Oregon; MFA, Plymouth University; Master's, Teachers College, Columbia University) is a film and media scholar who also lectures at the University of Hawaiʻi at Mānoa. His work frequently looks at making connections between genre, culture and disability. His most recent book, Transnational Horror Cinema: Bodies of Excess and the Global Grotesque (2017), with Sophia Siddique, looks at intersections of the horror genre, disability and trauma across borders. Other writing includes Transnational Stardom: International Celebrity in Film and Popular Culture (2013) with Russell Meeuf and contributions to the Encyclopedia of American Disability History. He currently serves as Associate Editor of Creative Works and Multimedia for the Review of Disability Studies. Raphael's work on pedagogy also includes writing on teaching film and disability studies in Modern Language Association's Teaching Film (2012) and social media learning in Let's Get Social: The Educator's Guide to Edmodo, with Ginger Carlson (2015). He has coordinated and directed educational technology programs with institutions in Asia, Europe and the United States. His scholarship in film, technology and media is also informed by his own practice as transmedia artist, and he has exhibited his work, including augmented reality and found footage installations as well as short films, in the United States and Europe. He is currently working on a book making connections between disability studies and film studies. Dr. Raphael tweets on issues in film and technology @raphaelspeak.
Undergraduate Instructor / Industry Expert
Douglas Montgomery has over 20 years of experience as a leading entertainment business developer. He served for 13 years as the Vice President for Category Management at Warner Bros. in Burbank, where he worked with key Warner Bros. retailer partners around the world as a strategic advisor. Clients included Amazon, Walmart, Microsoft, Sony and others. Mr. currently works as CEO for the media consultancy firm, Global Connects. He has an International MBA from the University of Southern California. He also lived in Japan for 12 years and remains active in the Japanese community in Los Angeles as a Board of Director for the Japan-America Society of Southern California.
Professor
Raphael Raphael (Ph.D., University of Oregon; MFA, Plymouth University; Master's, Teachers College, Columbia University) is a film and media scholar who also lectures at the University of Hawaiʻi at Mānoa. His work frequently looks at making connections between genre, culture and disability. His most recent book, Transnational Horror Cinema: Bodies of Excess and the Global Grotesque (2017), with Sophia Siddique, looks at intersections of the horror genre, disability and trauma across borders. Other writing includes Transnational Stardom: International Celebrity in Film and Popular Culture (2013) with Russell Meeuf and contributions to the Encyclopedia of American Disability History. He currently serves as Associate Editor of Creative Works and Multimedia for the Review of Disability Studies. Raphael's work on pedagogy also includes writing on teaching film and disability studies in Modern Language Association's Teaching Film (2012) and social media learning in Let's Get Social: The Educator's Guide to Edmodo, with Ginger Carlson (2015). He has coordinated and directed educational technology programs with institutions in Asia, Europe and the United States. His scholarship in film, technology and media is also informed by his own practice as transmedia artist, and he has exhibited his work, including augmented reality and found footage installations as well as short films, in the United States and Europe. He is currently working on a book making connections between disability studies and film studies. Dr. Raphael tweets on issues in film and technology @raphaelspeak.
Undergraduate Instructor / Industry Expert
For over 30 years, Eric Van Hamersveld has been involved in all creative, technical and business phases of the entertainment industry. He has been an animator for Warner Bros. Studios, J. Ward Productions, and Hanna Barbara Studios. His credits include: “The Pink Panther,” “Road Runner,” “Speedy Gonzalez,” “George of the Jungle,” and numerous TV series and commercials. As an Imagineer for the Walt Disney Company, he produced visual special effects for EPCOT, Disneyland, and Tokyo Disneyland theme park projects. He has created children’s games and direct-to-videos for Mattel Toys, Fisher-Price Toys, and McGraw/Hill Publishers, and he has both written and illustrated several children’s books. Mr. Van Hamersveld has a BFA Degree in Television & Film Production from Texas Christian University, and he is a member of the ASIFA Educators Forum (the International Animation Film Society). For 10 years, he taught animation for the Art Institute of California, and he is now a Senior Animation Instructor for the University of California San Diego and the John Paul the Great University. He also conducts intensive Video Production Workshops for the Ronald Reagan Presidential Library.
Carrie Hamilton Entertainment Institute Co-Director / Professor
Holding an MFA in Directing / Production from the University of California Los Angeles (UCLA), Dallas King is an award-winning director, producer and experienced film instructor. Dallas has directed, written, and produced, and completed two feature films, KISS KISS, a hyper-stylized action thriller that premiered in Los Angeles and is available on every major platform including Amazon and iTunes. Following this, INK & RAIN, a sci-fi fantasy feature premiered in Beijing, China and is exclusively available on China's largest web network, iQiYi. Dallas produced the award-winning feature film documentary, THE BILL MURRAY EXPERIENCE, available on iTunes and Amazon and he completed the EDM TV Pilot, PLUR, which was funded and will be distributed by Fusion TV. His two award-winning short action films, LITTLE SOLDIER & MOST WANTED, made during his early years in film school still gross sales today and are available on Amazon and Walmart under the title, DEMON. Along the way, he directed a 10-episode docu-series, BWFC, for Banpresto Japan, owners of the Dragon Ball-Z franchise. His third narrative feature, U.Z.L.A. a horror film he directed and wrote, starts its film festival run in Winter 2022. His recent projects include a feature film thriller, SWAP, and an Indonesia-based horror film, NOT FOR SALE.